What is Old Media?

Think of old media as the classic one-way conversation - someone speaks, and you just listen. Traditional broadcasting like BBC1 and ITV, along with newspapers and magazines, represent this older approach to communication.

These platforms were supply-led, meaning media professionals decided what content to create and when to broadcast it. You couldn't interact, comment, or change the channel lineup - you simply consumed what was offered.

Key Point: Old media = passive consumption with no user control

What is New Media?

New media is all about screen-based digital technology that combines images, text, and sound in ways that put you in control. We're talking about everything from smartphones and social networks to satellite TV and computers.

This represents digitalisation - the massive shift from analogue to digital communication. Unlike old media, new media is demand-led, meaning you choose what to watch, when to watch it, and how to interact with it.

The biggest game-changer? It's interactive and accessible, putting the power in your hands rather than media executives' boardrooms.

Key Point: New media = user control + digital interactivity

Five Key Developments of New Media

New media didn't appear overnight - it evolved through five major developments that shaped how we consume content today.

Evolution and new delivery technologies transformed existing platforms whilst creating entirely new ways to access content through the internet, WiFi, and smartphones.

Convergence happens in three ways: technological (different media combining), economic (companies like Google owning YouTube), and social (accessing multiple platforms simultaneously). This has enabled compression technology, allowing more channels through the same cable and creating narrowcasting - personalised content just for you.

Interactivity has created what Jenkins calls a participatory culture. You're not just consuming content anymore - you're commenting, sharing, and building collective intelligence through social engagement.

Key Point: These developments transformed passive audiences into active participants

Is There a Generational Divide?

The idea that young and old people use media completely differently might be overstated, according to Bruce, who points out generational differences have always existed.

Turkle takes a more dramatic view, suggesting the internet is turning young people into 'cyborgs' - essentially merging human behaviour with digital technology.

Boyle offers a balanced perspective, recognising that young people do experience 'now media' - instant, immediate, and constantly accessible content. However, he warns against exaggerating these differences, as both generations adapt to new technologies over time.

The reality? Generational differences exist but aren't as extreme as some headlines suggest.

Key Point: Media preferences vary by age, but the divide isn't as dramatic as often portrayed

Is There a Class Divide?

Digital inequality creates real barriers for people on lower incomes, and the consequences extend far beyond entertainment. Helsper identifies a 'digital underclass' - people excluded from new media opportunities.

This divide affects homework completion, socialising, job applications, and even house hunting. When basic activities move online, those without access get left behind.

Keen argues the internet actually reduces job opportunities for people at the bottom of society. Meanwhile, the simple reality of affordability - both equipment costs and monthly payments - creates significant barriers for excluded groups.

Economic disadvantage in the digital age isn't just about missing out on social media; it's about missing out on essential life opportunities.

Key Point: Digital access strongly correlates with economic opportunity

Is There a Gender Divide?

Feminists argue that new media continues many of the same patriarchal patterns found in traditional media, perpetuating gender stereotypes in digital spaces.

However, postmodern feminists see new media as empowering, pointing to global movements like #MeToo that use digital platforms to challenge inequality and give women new ways to express themselves.

Usage patterns differ significantly: men gravitate towards console gaming whilst women prefer mobile games. Research by Li and Kirkup found men express more confidence about computer skills and view computing as more of a male activity.

These differences suggest that whilst new media offers opportunities for equality, traditional gender patterns still influence how we engage with technology.

Key Point: New media offers empowerment opportunities but traditional gender patterns persist

Is There a Global Divide?

Western countries have experienced rapid new media growth, but this success isn't shared equally worldwide, potentially creating global class divisions.

Educational inequality emerges as Western schools provide digital access that many low-income countries cannot afford. This means children in wealthier nations develop technological literacy that their global peers may never acquire.

The result? A widening gap between those who grow up digitally fluent and those who remain excluded from technological advancement.

This global digital divide reinforces existing inequalities and creates new forms of disadvantage on an international scale.

Key Point: New media development varies dramatically between wealthy and poor nations

The Neophiliac Perspective - Why New Media is Brilliant

Neophiliacs take an optimistic, postmodern view of new media's impact on society, focusing on the positive changes digital technology brings.

Increased choice defines the new media landscape - more channels, websites, and e-commerce options create competition that benefits consumers. You're no longer stuck with whatever media companies decide to offer.

Enhanced social participation revitalises democracy by providing diverse news sources and enabling discussions between ordinary people. Shirky argues the internet facilitates 'many-to-many conversations', breaking down traditional communication barriers.

This participatory culture transforms passive audiences into active contributors, potentially strengthening democratic processes and social engagement.

Key Point: Optimists see new media as democratising choice and participation