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Responding to change (a2 only)
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1l the quest for political stability: germany, 1871-1991
Britain & the wider world: 1745 -1901
The cold war
Inter-war germany
Medieval period: 1066 -1509
2d religious conflict and the church in england, c1529-c1570
2o democracy and nazism: germany, 1918-1945
1f industrialisation and the people: britain, c1783-1885
1c the tudors: england, 1485-1603
2m wars and welfare: britain in transition, 1906-1957
World war two & the holocaust
2n revolution and dictatorship: russia, 1917-1953
2s the making of modern britain, 1951-2007
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Britain: 1509 -1745
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Media Studies
2 Dec 2025
195
11 pages
Ella @ella_usek
Film and media marketing has evolved dramatically, using everything from traditional posters to cross-platform strategies to reach specific... Show more
Ever wondered how smaller films compete with blockbuster marketing budgets? Ken Loach's I, Daniel Blake (2016) shows how independent British cinema creates impact through targeted, meaningful campaigns rather than flashy advertisements.
This social realist film tackles poverty and the welfare system, targeting educated audiences who care about British social issues. The BFI and BBC funding kept costs low whilst supporting the film's mission to inform, educate and entertain - very different from profit-driven Hollywood productions.
The marketing feels deliberately old-fashioned, with traditional film posters appealing to older generations who form Loach's loyal fanbase. The iconic raised fist imagery (linking to Black Lives Matter symbolism) and desaturated colours immediately signal this isn't your typical cinema experience.
Stuart Hall's reception theory explains how Loach wants audiences to adopt his preferred reading - agreeing with his criticism of government policy. The spray-painted aesthetic suggests grassroots activism, perfectly matching the film's anti-establishment message.
Key Point Unlike big-budget films, I, Daniel Blake succeeded by staying true to its message rather than chasing mass appeal.
The film's £404,000 opening weekend across just 94 cinemas proved that targeted marketing works - it became 2016's eleventh most successful independent film, eventually earning £8.8 million worldwide.
Loach's brilliant cross-media strategy included appearing on BBC's Question Time to defend the film when politicians dismissed it as 'fiction'. He also advertised in The Big Issue, directly reaching people affected by the issues shown in the film.
The political divide in reviews was fascinating. The Guardian called it 'brutally moving', whilst The Daily Mail dismissed it as romanticising 'Benefits Britain'. This polarised response actually boosted the film's profile.
Awards success followed, with BAFTA wins and recognition at the British Independent Film Awards. Loach achieved his goal of creating 'outrage and increased public consciousness' through focused, disruptive marketing that prioritised message over profit.
Key Point The film's marketing controversy became part of its success, proving that taking political risks can pay off for independent cinema.
Black Panther (2018) completely flipped superhero marketing on its head by putting Black characters centre stage. As Marvel's 17th MCU film, it had massive expectations but also carried significant commercial risk.
The poster immediately subverts expectations - white characters become tokenistic whilst Black heroes dominate the frame. This represents David Gauntlett's idea about creating diverse role models, showing young Black audiences they can be the hero, not just the sidekick.
Afrofuturism drives the visual design, presenting Africa as technologically advanced rather than poor - directly challenging colonial stereotypes. The blue and gold colour palette suggests royalty and power, whilst the tagline 'Long live the king' reinforces themes of Black excellence.
Marvel's brand power reduced commercial risk whilst the gap in representation identified by Curran and Seaton showed there was money to be made in diversity. The film brought Marvel's established fanbase whilst attracting underrepresented audiences hungry for authentic representation.
Key Point Black Panther proved that diverse representation isn't just socially important - it's incredibly profitable, breaking box office records worldwide.
Understanding Black Panther's success requires knowing the historical context of colonialism and ongoing struggles for racial equality. From 15th-19th century European colonisation to the Black Panther Party (1966-82) to modern Black Lives Matter, the film taps into centuries of resistance.
The timing was perfect - released during Black History Month with Barack Obama's presidency still fresh in memory. Marvel Studios (owned by Disney) used vertical integration to control both production and distribution, ensuring maximum impact.
The 12A certificate from BBFC allowed younger audiences to see positive Black role models whilst the fantastical violence meant Bandura's concerns about media influence were less relevant - you can't copy superhuman strength!
Wakanda represents what Africa might have been without colonisation - a sub-Saharan nation with advanced technology hidden from the outside world. This hyper-reality challenges white superiority myths by showing African excellence.
Key Point The film's success came from combining entertainment with powerful political messaging about African potential and Black excellence.
The English trailer cleverly starts with recognisable British actors like Martin Freeman, immediately connecting with UK audiences before subverting their expectations about Africa.
Hybrid genre elements created an enormous pre-sold audience whilst saturation marketing made it a must-see cultural event. The Marvel endorsement acted as a quality guarantee, using two-step flow to build trust.
Intertextual references like sampling 'The revolution will not be televised' connected the film to original Black Panthers activism, showing this wasn't just entertainment but cultural statement.
The teaser trailer appeared six months early, building awareness and creating buzz through Jenkins' fandom theory - fans became active promoters, sharing content and building anticipation organically.
Key Point Marvel combined traditional blockbuster marketing with culturally specific messaging, creating crossover appeal without losing authenticity.
BBC Women's Hour perfectly demonstrates how public service broadcasting differs from commercial media. Since 1946, it's evolved from patronising content presented by men to become a platform for authentic female voices.
The licence fee funding means the BBC belongs to the public, requiring representation of all UK regions and cultures. Curran and Seaton's diversity theory explains how this creates diversity of product - Women's Hour exists because the BBC can afford to narrowcast to smaller audiences.
Digital convergence has transformed the programme from linear radio to BBC Sounds podcasts, reflecting Shirky's ideas about serving uses and gratifications. The 'Listen without limits' slogan shows how distribution has evolved.
The hybrid interface combines traditional broadcasting with social media interaction, inviting audiences to participate through multiple platforms. This challenges Livingstone and Lunt's regulatory assumptions since the BBC effectively regulates itself.
Key Point Public service broadcasting allows for content that wouldn't be commercially viable, serving niche audiences that commercial radio ignores.
Emma Barnett and Anita Rani's presenting roles demonstrate the BBC's commitment to diversity, directly reflecting its creative remit to 'represent and serve diverse communities'.
Topics like forced adoption (July 2022) and misogynistic influencers (January 2023) show how the programme tackles hard-hitting issues. The Andrew Tate discussion used two-step flow theory to explain how opinion leaders spread harmful messages to impressionable audiences.
The programme targets ABC1 demographics with cultural capital, using sophisticated language and in-depth analysis rather than soundbites. This narrowcasting approach serves surveillance needs for educated audiences wanting detailed information.
Van Zoonen's theory about changing gender stereotypes applies here - having more women producing and presenting media creates more authentic female representation. Bell hooks' ideas are reflected through diverse guests and issues affecting different women.
Key Point Women's Hour demonstrates how public service broadcasting can address serious social issues whilst serving underrepresented audiences.
Assassin's Creed III Liberation (2012) took massive risks by featuring gaming's first fully playable female Black protagonist - Aveline de Grandpré. This subverted genre expectations in an industry dominated by white male characters.
Set in 1765-1777 New Orleans during Spanish occupation, the game tackles slavery and institutional racism through Aveline's mixed-race heritage. Her ability to disguise herself and move between social classes became central to gameplay, reflecting real historical experiences.
Ubisoft's original PS Vita exclusivity aimed to boost Sony's handheld console against Nintendo, but the strategy backfired. The collaboration between hardware and software failed when the Vita only achieved 12% of sales targets.
The PEGI 18 rating for violence created problems - targeting casual mobile gamers whilst restricting access to younger demographics. This confused messaging damaged the word-of-mouth marketing that Hesmondhaulgh identifies as crucial for cultural products.
Key Point Liberation proved that diverse protagonists could be commercially successful, but poor business decisions limited its impact.
Ubisoft's greed perfectly illustrates Curran and Seaton's profit and power theory - demanding yearly releases made developers' jobs impossible, creating bugs and reused animations. This harmed the brand when sales fell 3 million below forecasts.
Despite technical problems, Aveline became incredibly successful as a character. Bandura's role model theory explains her appeal to female gamers, whilst Jenkins' ideas about breakout factors show how the character succeeded despite the flawed game.
Fan participation through art and cosplay demonstrated Shirky's theories about prosumers - audiences became active creators. The character was so popular she appeared in AC4 Black Flag, proving her lasting impact.
Reviews highlighted this split - Mary Sue praised Aveline as a role model whilst criticising gameplay, and Kotaku celebrated the subversive use of race and gender whilst acknowledging the game's technical shortcomings.
Key Point Even flawed games can create lasting cultural impact through strong character representation and authentic storytelling.
Aveline's mixed-race heritage became integral to both story and gameplay, with her bullwhip symbolically reclaimed from slavery to fight oppression. This binary opposition between oppressor and liberator created powerful narrative tension.
The developer diary revealed significant narratological elements addressing historical crimes and connecting to modern BLM movements. However, the development team's lack of diversity limited authentic representation.
TV advertising targeted commuters with dead time on trains, positioning gaming as 'me time' and highlighting the Vita's portability USP. The desaturated, green-tinted visuals suggested urban alienation that gaming could escape.
Cultural industries theory explains how established fanbases create pre-sold audiences, but mixed messaging (casual gaming with adult ratings) confused potential buyers. The character's success despite the game's failure proves that authentic representation resonates powerfully with underserved audiences.
Key Point Liberation's legacy isn't about technical achievement but about proving that diverse protagonists can drive both commercial success and cultural change in gaming.
Our AI Companion is a student-focused AI tool that offers more than just answers. Built on millions of Knowunity resources, it provides relevant information, personalised study plans, quizzes, and content directly in the chat, adapting to your individual learning journey.
You can download the app from Google Play Store and Apple App Store.
That's right! Enjoy free access to study content, connect with fellow students, and get instant help – all at your fingertips.
10
Smart Tools NEW
Transform this note into: ✓ 50+ Practice Questions ✓ Interactive Flashcards ✓ Full Mock Exam ✓ Essay Outlines
App Store
Google Play
The app is very easy to use and well designed. I have found everything I was looking for so far and have been able to learn a lot from the presentations! I will definitely use the app for a class assignment! And of course it also helps a lot as an inspiration.
Stefan S
iOS user
This app is really great. There are so many study notes and help [...]. My problem subject is French, for example, and the app has so many options for help. Thanks to this app, I have improved my French. I would recommend it to anyone.
Samantha Klich
Android user
Wow, I am really amazed. I just tried the app because I've seen it advertised many times and was absolutely stunned. This app is THE HELP you want for school and above all, it offers so many things, such as workouts and fact sheets, which have been VERY helpful to me personally.
Anna
iOS user
Best app on earth! no words because it’s too good
Thomas R
iOS user
Just amazing. Let's me revise 10x better, this app is a quick 10/10. I highly recommend it to anyone. I can watch and search for notes. I can save them in the subject folder. I can revise it any time when I come back. If you haven't tried this app, you're really missing out.
Basil
Android user
This app has made me feel so much more confident in my exam prep, not only through boosting my own self confidence through the features that allow you to connect with others and feel less alone, but also through the way the app itself is centred around making you feel better. It is easy to navigate, fun to use, and helpful to anyone struggling in absolutely any way.
David K
iOS user
The app's just great! All I have to do is enter the topic in the search bar and I get the response real fast. I don't have to watch 10 YouTube videos to understand something, so I'm saving my time. Highly recommended!
Sudenaz Ocak
Android user
In school I was really bad at maths but thanks to the app, I am doing better now. I am so grateful that you made the app.
Greenlight Bonnie
Android user
very reliable app to help and grow your ideas of Maths, English and other related topics in your works. please use this app if your struggling in areas, this app is key for that. wish I'd of done a review before. and it's also free so don't worry about that.
Rohan U
Android user
I know a lot of apps use fake accounts to boost their reviews but this app deserves it all. Originally I was getting 4 in my English exams and this time I got a grade 7. I didn’t even know about this app three days until the exam and it has helped A LOT. Please actually trust me and use it as I’m sure you too will see developments.
Xander S
iOS user
THE QUIZES AND FLASHCARDS ARE SO USEFUL AND I LOVE THE SCHOOLGPT. IT ALSO IS LITREALLY LIKE CHATGPT BUT SMARTER!! HELPED ME WITH MY MASCARA PROBLEMS TOO!! AS WELL AS MY REAL SUBJECTS ! DUHHH 😍😁😲🤑💗✨🎀😮
Elisha
iOS user
This apps acc the goat. I find revision so boring but this app makes it so easy to organize it all and then you can ask the freeeee ai to test yourself so good and you can easily upload your own stuff. highly recommend as someone taking mocks now
Paul T
iOS user
The app is very easy to use and well designed. I have found everything I was looking for so far and have been able to learn a lot from the presentations! I will definitely use the app for a class assignment! And of course it also helps a lot as an inspiration.
Stefan S
iOS user
This app is really great. There are so many study notes and help [...]. My problem subject is French, for example, and the app has so many options for help. Thanks to this app, I have improved my French. I would recommend it to anyone.
Samantha Klich
Android user
Wow, I am really amazed. I just tried the app because I've seen it advertised many times and was absolutely stunned. This app is THE HELP you want for school and above all, it offers so many things, such as workouts and fact sheets, which have been VERY helpful to me personally.
Anna
iOS user
Best app on earth! no words because it’s too good
Thomas R
iOS user
Just amazing. Let's me revise 10x better, this app is a quick 10/10. I highly recommend it to anyone. I can watch and search for notes. I can save them in the subject folder. I can revise it any time when I come back. If you haven't tried this app, you're really missing out.
Basil
Android user
This app has made me feel so much more confident in my exam prep, not only through boosting my own self confidence through the features that allow you to connect with others and feel less alone, but also through the way the app itself is centred around making you feel better. It is easy to navigate, fun to use, and helpful to anyone struggling in absolutely any way.
David K
iOS user
The app's just great! All I have to do is enter the topic in the search bar and I get the response real fast. I don't have to watch 10 YouTube videos to understand something, so I'm saving my time. Highly recommended!
Sudenaz Ocak
Android user
In school I was really bad at maths but thanks to the app, I am doing better now. I am so grateful that you made the app.
Greenlight Bonnie
Android user
very reliable app to help and grow your ideas of Maths, English and other related topics in your works. please use this app if your struggling in areas, this app is key for that. wish I'd of done a review before. and it's also free so don't worry about that.
Rohan U
Android user
I know a lot of apps use fake accounts to boost their reviews but this app deserves it all. Originally I was getting 4 in my English exams and this time I got a grade 7. I didn’t even know about this app three days until the exam and it has helped A LOT. Please actually trust me and use it as I’m sure you too will see developments.
Xander S
iOS user
THE QUIZES AND FLASHCARDS ARE SO USEFUL AND I LOVE THE SCHOOLGPT. IT ALSO IS LITREALLY LIKE CHATGPT BUT SMARTER!! HELPED ME WITH MY MASCARA PROBLEMS TOO!! AS WELL AS MY REAL SUBJECTS ! DUHHH 😍😁😲🤑💗✨🎀😮
Elisha
iOS user
This apps acc the goat. I find revision so boring but this app makes it so easy to organize it all and then you can ask the freeeee ai to test yourself so good and you can easily upload your own stuff. highly recommend as someone taking mocks now
Paul T
iOS user
Ella
@ella_usek
Film and media marketing has evolved dramatically, using everything from traditional posters to cross-platform strategies to reach specific audiences. Understanding how different films and programmes target their viewers reveals fascinating insights into society, politics, and representation in modern media.
Access to all documents
Improve your grades
Join milions of students
By signing up you accept Terms of Service and Privacy Policy
Ever wondered how smaller films compete with blockbuster marketing budgets? Ken Loach's I, Daniel Blake (2016) shows how independent British cinema creates impact through targeted, meaningful campaigns rather than flashy advertisements.
This social realist film tackles poverty and the welfare system, targeting educated audiences who care about British social issues. The BFI and BBC funding kept costs low whilst supporting the film's mission to inform, educate and entertain - very different from profit-driven Hollywood productions.
The marketing feels deliberately old-fashioned, with traditional film posters appealing to older generations who form Loach's loyal fanbase. The iconic raised fist imagery (linking to Black Lives Matter symbolism) and desaturated colours immediately signal this isn't your typical cinema experience.
Stuart Hall's reception theory explains how Loach wants audiences to adopt his preferred reading - agreeing with his criticism of government policy. The spray-painted aesthetic suggests grassroots activism, perfectly matching the film's anti-establishment message.
Key Point: Unlike big-budget films, I, Daniel Blake succeeded by staying true to its message rather than chasing mass appeal.
Access to all documents
Improve your grades
Join milions of students
By signing up you accept Terms of Service and Privacy Policy
The film's £404,000 opening weekend across just 94 cinemas proved that targeted marketing works - it became 2016's eleventh most successful independent film, eventually earning £8.8 million worldwide.
Loach's brilliant cross-media strategy included appearing on BBC's Question Time to defend the film when politicians dismissed it as 'fiction'. He also advertised in The Big Issue, directly reaching people affected by the issues shown in the film.
The political divide in reviews was fascinating. The Guardian called it 'brutally moving', whilst The Daily Mail dismissed it as romanticising 'Benefits Britain'. This polarised response actually boosted the film's profile.
Awards success followed, with BAFTA wins and recognition at the British Independent Film Awards. Loach achieved his goal of creating 'outrage and increased public consciousness' through focused, disruptive marketing that prioritised message over profit.
Key Point: The film's marketing controversy became part of its success, proving that taking political risks can pay off for independent cinema.
Access to all documents
Improve your grades
Join milions of students
By signing up you accept Terms of Service and Privacy Policy
Black Panther (2018) completely flipped superhero marketing on its head by putting Black characters centre stage. As Marvel's 17th MCU film, it had massive expectations but also carried significant commercial risk.
The poster immediately subverts expectations - white characters become tokenistic whilst Black heroes dominate the frame. This represents David Gauntlett's idea about creating diverse role models, showing young Black audiences they can be the hero, not just the sidekick.
Afrofuturism drives the visual design, presenting Africa as technologically advanced rather than poor - directly challenging colonial stereotypes. The blue and gold colour palette suggests royalty and power, whilst the tagline 'Long live the king' reinforces themes of Black excellence.
Marvel's brand power reduced commercial risk whilst the gap in representation identified by Curran and Seaton showed there was money to be made in diversity. The film brought Marvel's established fanbase whilst attracting underrepresented audiences hungry for authentic representation.
Key Point: Black Panther proved that diverse representation isn't just socially important - it's incredibly profitable, breaking box office records worldwide.
Access to all documents
Improve your grades
Join milions of students
By signing up you accept Terms of Service and Privacy Policy
Understanding Black Panther's success requires knowing the historical context of colonialism and ongoing struggles for racial equality. From 15th-19th century European colonisation to the Black Panther Party (1966-82) to modern Black Lives Matter, the film taps into centuries of resistance.
The timing was perfect - released during Black History Month with Barack Obama's presidency still fresh in memory. Marvel Studios (owned by Disney) used vertical integration to control both production and distribution, ensuring maximum impact.
The 12A certificate from BBFC allowed younger audiences to see positive Black role models whilst the fantastical violence meant Bandura's concerns about media influence were less relevant - you can't copy superhuman strength!
Wakanda represents what Africa might have been without colonisation - a sub-Saharan nation with advanced technology hidden from the outside world. This hyper-reality challenges white superiority myths by showing African excellence.
Key Point: The film's success came from combining entertainment with powerful political messaging about African potential and Black excellence.
Access to all documents
Improve your grades
Join milions of students
By signing up you accept Terms of Service and Privacy Policy
The English trailer cleverly starts with recognisable British actors like Martin Freeman, immediately connecting with UK audiences before subverting their expectations about Africa.
Hybrid genre elements created an enormous pre-sold audience whilst saturation marketing made it a must-see cultural event. The Marvel endorsement acted as a quality guarantee, using two-step flow to build trust.
Intertextual references like sampling 'The revolution will not be televised' connected the film to original Black Panthers activism, showing this wasn't just entertainment but cultural statement.
The teaser trailer appeared six months early, building awareness and creating buzz through Jenkins' fandom theory - fans became active promoters, sharing content and building anticipation organically.
Key Point: Marvel combined traditional blockbuster marketing with culturally specific messaging, creating crossover appeal without losing authenticity.
Access to all documents
Improve your grades
Join milions of students
By signing up you accept Terms of Service and Privacy Policy
BBC Women's Hour perfectly demonstrates how public service broadcasting differs from commercial media. Since 1946, it's evolved from patronising content presented by men to become a platform for authentic female voices.
The licence fee funding means the BBC belongs to the public, requiring representation of all UK regions and cultures. Curran and Seaton's diversity theory explains how this creates diversity of product - Women's Hour exists because the BBC can afford to narrowcast to smaller audiences.
Digital convergence has transformed the programme from linear radio to BBC Sounds podcasts, reflecting Shirky's ideas about serving uses and gratifications. The 'Listen without limits' slogan shows how distribution has evolved.
The hybrid interface combines traditional broadcasting with social media interaction, inviting audiences to participate through multiple platforms. This challenges Livingstone and Lunt's regulatory assumptions since the BBC effectively regulates itself.
Key Point: Public service broadcasting allows for content that wouldn't be commercially viable, serving niche audiences that commercial radio ignores.
Access to all documents
Improve your grades
Join milions of students
By signing up you accept Terms of Service and Privacy Policy
Emma Barnett and Anita Rani's presenting roles demonstrate the BBC's commitment to diversity, directly reflecting its creative remit to 'represent and serve diverse communities'.
Topics like forced adoption (July 2022) and misogynistic influencers (January 2023) show how the programme tackles hard-hitting issues. The Andrew Tate discussion used two-step flow theory to explain how opinion leaders spread harmful messages to impressionable audiences.
The programme targets ABC1 demographics with cultural capital, using sophisticated language and in-depth analysis rather than soundbites. This narrowcasting approach serves surveillance needs for educated audiences wanting detailed information.
Van Zoonen's theory about changing gender stereotypes applies here - having more women producing and presenting media creates more authentic female representation. Bell hooks' ideas are reflected through diverse guests and issues affecting different women.
Key Point: Women's Hour demonstrates how public service broadcasting can address serious social issues whilst serving underrepresented audiences.
Access to all documents
Improve your grades
Join milions of students
By signing up you accept Terms of Service and Privacy Policy
Assassin's Creed III: Liberation (2012) took massive risks by featuring gaming's first fully playable female Black protagonist - Aveline de Grandpré. This subverted genre expectations in an industry dominated by white male characters.
Set in 1765-1777 New Orleans during Spanish occupation, the game tackles slavery and institutional racism through Aveline's mixed-race heritage. Her ability to disguise herself and move between social classes became central to gameplay, reflecting real historical experiences.
Ubisoft's original PS Vita exclusivity aimed to boost Sony's handheld console against Nintendo, but the strategy backfired. The collaboration between hardware and software failed when the Vita only achieved 12% of sales targets.
The PEGI 18 rating for violence created problems - targeting casual mobile gamers whilst restricting access to younger demographics. This confused messaging damaged the word-of-mouth marketing that Hesmondhaulgh identifies as crucial for cultural products.
Key Point: Liberation proved that diverse protagonists could be commercially successful, but poor business decisions limited its impact.
Access to all documents
Improve your grades
Join milions of students
By signing up you accept Terms of Service and Privacy Policy
Ubisoft's greed perfectly illustrates Curran and Seaton's profit and power theory - demanding yearly releases made developers' jobs impossible, creating bugs and reused animations. This harmed the brand when sales fell 3 million below forecasts.
Despite technical problems, Aveline became incredibly successful as a character. Bandura's role model theory explains her appeal to female gamers, whilst Jenkins' ideas about breakout factors show how the character succeeded despite the flawed game.
Fan participation through art and cosplay demonstrated Shirky's theories about prosumers - audiences became active creators. The character was so popular she appeared in AC4: Black Flag, proving her lasting impact.
Reviews highlighted this split - Mary Sue praised Aveline as a role model whilst criticising gameplay, and Kotaku celebrated the subversive use of race and gender whilst acknowledging the game's technical shortcomings.
Key Point: Even flawed games can create lasting cultural impact through strong character representation and authentic storytelling.
Access to all documents
Improve your grades
Join milions of students
By signing up you accept Terms of Service and Privacy Policy
Aveline's mixed-race heritage became integral to both story and gameplay, with her bullwhip symbolically reclaimed from slavery to fight oppression. This binary opposition between oppressor and liberator created powerful narrative tension.
The developer diary revealed significant narratological elements addressing historical crimes and connecting to modern BLM movements. However, the development team's lack of diversity limited authentic representation.
TV advertising targeted commuters with dead time on trains, positioning gaming as 'me time' and highlighting the Vita's portability USP. The desaturated, green-tinted visuals suggested urban alienation that gaming could escape.
Cultural industries theory explains how established fanbases create pre-sold audiences, but mixed messaging (casual gaming with adult ratings) confused potential buyers. The character's success despite the game's failure proves that authentic representation resonates powerfully with underserved audiences.
Key Point: Liberation's legacy isn't about technical achievement but about proving that diverse protagonists can drive both commercial success and cultural change in gaming.
Our AI Companion is a student-focused AI tool that offers more than just answers. Built on millions of Knowunity resources, it provides relevant information, personalised study plans, quizzes, and content directly in the chat, adapting to your individual learning journey.
You can download the app from Google Play Store and Apple App Store.
That's right! Enjoy free access to study content, connect with fellow students, and get instant help – all at your fingertips.
10
Smart Tools NEW
Transform this note into: ✓ 50+ Practice Questions ✓ Interactive Flashcards ✓ Full Mock Exam ✓ Essay Outlines
App Store
Google Play
The app is very easy to use and well designed. I have found everything I was looking for so far and have been able to learn a lot from the presentations! I will definitely use the app for a class assignment! And of course it also helps a lot as an inspiration.
Stefan S
iOS user
This app is really great. There are so many study notes and help [...]. My problem subject is French, for example, and the app has so many options for help. Thanks to this app, I have improved my French. I would recommend it to anyone.
Samantha Klich
Android user
Wow, I am really amazed. I just tried the app because I've seen it advertised many times and was absolutely stunned. This app is THE HELP you want for school and above all, it offers so many things, such as workouts and fact sheets, which have been VERY helpful to me personally.
Anna
iOS user
Best app on earth! no words because it’s too good
Thomas R
iOS user
Just amazing. Let's me revise 10x better, this app is a quick 10/10. I highly recommend it to anyone. I can watch and search for notes. I can save them in the subject folder. I can revise it any time when I come back. If you haven't tried this app, you're really missing out.
Basil
Android user
This app has made me feel so much more confident in my exam prep, not only through boosting my own self confidence through the features that allow you to connect with others and feel less alone, but also through the way the app itself is centred around making you feel better. It is easy to navigate, fun to use, and helpful to anyone struggling in absolutely any way.
David K
iOS user
The app's just great! All I have to do is enter the topic in the search bar and I get the response real fast. I don't have to watch 10 YouTube videos to understand something, so I'm saving my time. Highly recommended!
Sudenaz Ocak
Android user
In school I was really bad at maths but thanks to the app, I am doing better now. I am so grateful that you made the app.
Greenlight Bonnie
Android user
very reliable app to help and grow your ideas of Maths, English and other related topics in your works. please use this app if your struggling in areas, this app is key for that. wish I'd of done a review before. and it's also free so don't worry about that.
Rohan U
Android user
I know a lot of apps use fake accounts to boost their reviews but this app deserves it all. Originally I was getting 4 in my English exams and this time I got a grade 7. I didn’t even know about this app three days until the exam and it has helped A LOT. Please actually trust me and use it as I’m sure you too will see developments.
Xander S
iOS user
THE QUIZES AND FLASHCARDS ARE SO USEFUL AND I LOVE THE SCHOOLGPT. IT ALSO IS LITREALLY LIKE CHATGPT BUT SMARTER!! HELPED ME WITH MY MASCARA PROBLEMS TOO!! AS WELL AS MY REAL SUBJECTS ! DUHHH 😍😁😲🤑💗✨🎀😮
Elisha
iOS user
This apps acc the goat. I find revision so boring but this app makes it so easy to organize it all and then you can ask the freeeee ai to test yourself so good and you can easily upload your own stuff. highly recommend as someone taking mocks now
Paul T
iOS user
The app is very easy to use and well designed. I have found everything I was looking for so far and have been able to learn a lot from the presentations! I will definitely use the app for a class assignment! And of course it also helps a lot as an inspiration.
Stefan S
iOS user
This app is really great. There are so many study notes and help [...]. My problem subject is French, for example, and the app has so many options for help. Thanks to this app, I have improved my French. I would recommend it to anyone.
Samantha Klich
Android user
Wow, I am really amazed. I just tried the app because I've seen it advertised many times and was absolutely stunned. This app is THE HELP you want for school and above all, it offers so many things, such as workouts and fact sheets, which have been VERY helpful to me personally.
Anna
iOS user
Best app on earth! no words because it’s too good
Thomas R
iOS user
Just amazing. Let's me revise 10x better, this app is a quick 10/10. I highly recommend it to anyone. I can watch and search for notes. I can save them in the subject folder. I can revise it any time when I come back. If you haven't tried this app, you're really missing out.
Basil
Android user
This app has made me feel so much more confident in my exam prep, not only through boosting my own self confidence through the features that allow you to connect with others and feel less alone, but also through the way the app itself is centred around making you feel better. It is easy to navigate, fun to use, and helpful to anyone struggling in absolutely any way.
David K
iOS user
The app's just great! All I have to do is enter the topic in the search bar and I get the response real fast. I don't have to watch 10 YouTube videos to understand something, so I'm saving my time. Highly recommended!
Sudenaz Ocak
Android user
In school I was really bad at maths but thanks to the app, I am doing better now. I am so grateful that you made the app.
Greenlight Bonnie
Android user
very reliable app to help and grow your ideas of Maths, English and other related topics in your works. please use this app if your struggling in areas, this app is key for that. wish I'd of done a review before. and it's also free so don't worry about that.
Rohan U
Android user
I know a lot of apps use fake accounts to boost their reviews but this app deserves it all. Originally I was getting 4 in my English exams and this time I got a grade 7. I didn’t even know about this app three days until the exam and it has helped A LOT. Please actually trust me and use it as I’m sure you too will see developments.
Xander S
iOS user
THE QUIZES AND FLASHCARDS ARE SO USEFUL AND I LOVE THE SCHOOLGPT. IT ALSO IS LITREALLY LIKE CHATGPT BUT SMARTER!! HELPED ME WITH MY MASCARA PROBLEMS TOO!! AS WELL AS MY REAL SUBJECTS ! DUHHH 😍😁😲🤑💗✨🎀😮
Elisha
iOS user
This apps acc the goat. I find revision so boring but this app makes it so easy to organize it all and then you can ask the freeeee ai to test yourself so good and you can easily upload your own stuff. highly recommend as someone taking mocks now
Paul T
iOS user
