Culture and Propaganda: Controlling Hearts and Minds
Stalin understood that controlling people's thoughts was just as important as controlling their actions. His cult of personality reached godlike status by the 1930s, with his 50th birthday in 1929 marking the beginning of unprecedented adoration.
Socialist Realism became the only acceptable artistic style from 1932. Writers, artists, and musicians had to join state unions and create work that promoted Soviet achievements. They were expected to be "engineers of human souls" - everything had to show optimistic, uplifting messages about socialist progress.
Propaganda was everywhere and targeted all literacy levels. For the educated, there were books and newspapers; for others, wall posters, films, and communal radios. Economic struggles were romanticised as heroic battles, with Stakhanovites super−productiveworkers celebrated as role models.
The story of Pavlik Morozov, a 13-year-old who allegedly betrayed his father to the authorities, became a propaganda legend. Whether real or fictional, his story was turned into songs, plays, operas, and books to teach children that loyalty to the state came before family.
Key Point: Stalin's propaganda machine was incredibly sophisticated, using every form of media to shape how people thought about themselves, their society, and their leader.