The Power of Total Control: Entertainment as Propaganda
The Nazis understood that controlling entertainment and culture was just as important as controlling politics and the economy. By "Nazifying" every aspect of German life, they ensured their ideology reached everyone, regardless of age or background.
Sports became political weapons through careful staging and symbolism. Stadium walls were covered with eagles and swastikas, linking sporting excitement with Nazi enthusiasm. Foreign teams visiting Germany had to perform Nazi salutes during the German national anthem, making it appear that international athletes supported the regime.
The 1936 Berlin Olympics represented Hitler's greatest propaganda triumph. The Nazis built the world's largest stadium and Germany won more medals than any other nation. Leni Riefenstahl's film "Olympia" immortalised these "successes" as proof of Nazi superiority, while the event showed the world a seemingly peaceful, prosperous Germany.
Cultural control extended to every creative medium. The Reich Chamber of Culture monitored all artists, who needed approval before producing, selling, or teaching art. Modern artists like Van Gogh and Picasso were banned as "degenerate," while classical German composers like Wagner were promoted. Jazz music was forbidden as it came from black musicians, considered "racially inferior" by Nazi ideology.
Literature faced systematic destruction as millions of books by Jewish authors, anti-war writers, and political opponents were removed from libraries and universities. Public book burnings became spectacles where "undesirable" ideas literally went up in smoke. Cinemas were forced to show 45-minute Nazi newsreels before every film, ensuring audiences absorbed government propaganda even during entertainment.
Key Point: By controlling entertainment, the Nazis made their ideology seem normal and exciting rather than threatening, especially to young people who grew up knowing nothing else.