Media Language and Representation in 1950s Quality Street Advertisement

The 1950s advertisements reflected the optimistic post-war era through carefully constructed media language. Quality Street's iconic 1956 advertisement exemplifies the media language and representation in 1950s advertisements, featuring a sophisticated group composition that reinforces period social hierarchies and marketing techniques.

The advertisement's visual hierarchy places Major Quality, the brand mascot, in a dominant central position wearing military attire, surrounded by women in dresses color-coordinated with Quality Street chocolates. This gender roles in 1950s media advertisements arrangement reflects the patriarchal society, with the male figure portrayed as powerful and professional in his suit, while women are presented as decorative elements.

The advertisement employs strategic design elements including the rule of thirds, with the product prominently featured in the middle third. The color palette uses repeated purple, gold, and red tones to connote luxury, wealth, and romance. Typography and messaging emphasize choice through the tagline "What a delicious dilemma!" and "18 delightfully different toffees and chocolates."

Definition: The rule of thirds is a composition technique that divides an image into nine equal segments using two horizontal and two vertical lines. Important elements are placed along these lines or at their intersections.

Gender Representation Analysis in Post-War Advertising

The analysis of chocolate advertisements in post war era reveals clear gender power dynamics. Males are portrayed as powerful decision-makers, centrally framed and in control of both the product and female characters. Women are consistently positioned below and behind the dominant male figure, reflecting 1950s social hierarchies.

Female representation in these 1950s advertisements for women adhered to strict beauty ideals - thin, delicate, and well-groomed. The advertisement reinforces traditional female stereotypes through the women's obvious love for chocolate and their positioning as objects of the male gaze. This representation aligned with the period's dominant ideology about women's roles and appearance.

The advertisement also reflects the era's limited diversity in mainstream media. The characters are exclusively white and young to middle-aged (25-40), targeting a specific demographic while excluding others. This 1950s advertising art style perpetuated the period's dominant racist ideology by presenting white skin as the ideal of beauty and success.

Highlight: The 1950s advertisements often misrepresented or completely excluded other ethnicities, reflecting the period's discriminatory practices in media representation.

Modern Media Language Evolution: This Girl Can Campaign

Contemporary media campaigns like Sport England's "This Girl Can" demonstrate how media language has evolved since the 1950s advertising posters era. The 2015 campaign uses inclusive typography, dynamic mid-shots, and authentic imagery to promote women's participation in sports.

The campaign's media language deliberately contrasts with historical advertising conventions. The tagline "Sweating like a pig, feeling like a fox" uses provocative simile to challenge traditional beauty standards. The photography emphasizes real body language, movement, and authentic exercise experiences rather than idealized poses.

Visual elements include bright colors signifying confidence, verisimilitude in clothing choices, and community-focused imagery showing support networks. The campaign's social media integration through hashtags creates modern engagement opportunities while maintaining consistent messaging across platforms.

Example: The campaign shows women in actual exercise situations - sweating, working hard, and enjoying movement - rather than the posed, pristine presentations common in traditional advertising.

Modern Gender Representation Analysis

Modern advertising approaches, exemplified by the This Girl Can campaign, demonstrate significant evolution from 1950s ads housewives stereotypes. The campaign deliberately excludes male representation to address historical imbalances in sports media coverage, while presenting women as confident, proud, and independent actors rather than decorative elements.

The campaign challenges traditional beauty ideals by featuring diverse body types and natural exercise situations. Unlike 1950s advertisements sexist approaches, women are not sexualized or subjected to the male gaze, instead being portrayed as active participants in their fitness journeys.

The campaign's representation spans age groups from 16-60+, though the term "girl" potentially creates disconnection with older audiences. While the campaign features more diverse ethnicities than 1950s advertising, mainstream media continues to show some bias toward white representation, indicating ongoing evolution in inclusive representation.

Quote: "This Girl Can transforms negative connotations of 'throwing like a girl' into an empowering statement about female athletic capability."

Media Language and Representation in 1970s James Bond Film Posters

The 1974 film poster for "The Man with the Golden Gun" exemplifies classic Media language and representation in 1950s advertisements techniques that carried through to 1970s film marketing. The poster's composition places Roger Moore's James Bond at the center, wearing the character's trademark suit that signifies professionalism and power, reflecting gender roles in 1950s media advertisements that persisted into the 70s.

The exotic South East Asian setting and martial arts elements capitalize on 1970s entertainment trends while maintaining Bond franchise conventions. The poster's visual hierarchy positions the 007 brand logo prominently, establishing this as an official franchise entry. The golden gun in the foreground creates intrigue while the bikini-clad models reflect the 1950s advertisements for women tradition of using female figures as decorative elements.

The poster's use of the male gaze and patriarchal imagery demonstrates how 1950s advertising art style influenced subsequent decades. The models' positioning and costuming, combined with their directional eyelines, creates visual flow while reinforcing gender dynamics typical of the era. Production values are emphasized through high-quality imagery and sophisticated typography.

Definition: The male gaze refers to the way visual media is often composed from a masculine point of view, presenting women as objects for male pleasure.

Analysis of Gender and Power in 1950s-1970s Media

The evolution from 1950s ads housewives to 1970s action heroines reveals shifting but still problematic gender representations. The Bond poster maintains patriarchal conventions while incorporating contemporary elements like martial arts and exotic locations that appealed to changing audience tastes.

Marketing materials of this era frequently employed what modern Media Studies Past Papers would identify as problematic gender coding. The poster's composition places male power at the center while relegating women to decorative roles, continuing patterns established in 1950s advertisements sexist approaches.

The sophisticated visual language draws on established advertising conventions while adding contemporary flair. This demonstrates how Ads from the 50s and 60s influenced subsequent decades of media representation, particularly in action-adventure marketing materials.

Example: The poster's use of bikini-clad models reflects advertising traditions dating back to 1950s beauty and fashion advertisements, where women were frequently presented as decorative elements rather than active participants.

Media Studies Analysis of Historical Advertising

When conducting GCSE Media Studies coursework examples analysis of historical advertising, it's crucial to examine how visual and textual elements reinforce social messages. The Bond poster demonstrates sophisticated use of composition, typography, and imagery to convey both narrative information and cultural values.

The poster's design reflects professional advertising standards developed during the golden age of 1950s advertising posters. Elements like the central hero figure, exotic setting, and action imagery became standard features of film marketing, influenced by earlier advertising conventions.

Modern Media Studies Past Papers frequently examine how historical advertising both reflected and shaped social attitudes. The Bond poster provides rich material for analyzing the evolution of gender representation, marketing techniques, and cultural values in mass media.

Highlight: Understanding historical advertising conventions helps contextualize modern media representation issues and reveals the evolution of marketing techniques.

Teaching Media Language Through Historical Analysis

For educators using Eduqas digital resources Media Studies, historical advertising materials provide valuable teaching tools. Analyzing materials like the Bond poster helps students understand how media language evolves while certain conventions persist.

Examining Quality Street 1950s advert analysis alongside later materials like Bond posters reveals how advertising techniques developed over time. Students can trace the evolution of visual language, gender representation, and marketing strategies through different eras.

Contemporary GQ magazine analysis can be enriched by understanding historical precedents. The conventions established in 1950s advertising art style continue to influence modern media, making historical analysis relevant for current media studies.

Vocabulary: Media language includes visual elements like composition, color, typography, and imagery that combine to create meaning in advertising and marketing materials.

Media Representation Analysis: Power Dynamics in 1970s Film Advertising

The media language and representation in 1950s advertisements evolved significantly through the decades, particularly visible in film promotion materials of the 1970s. A detailed analysis of "The Man with the Golden Gun" poster reveals complex power dynamics and social hierarchies prevalent during this era.

Male dominance and patriarchal structures are prominently displayed through weapon possession and positioning. Four male characters - James Bond, Nick Nack, and two armed men - occupy positions of power, reflecting the gender roles in 1950s media advertisements that continued into the 70s. Bond's central positioning and professional attire, particularly his British suit, establishes him as the archetypal hero figure, while simultaneously presenting him as an object of female desire.

Definition: Patriarchal representation in media refers to the systematic portrayal of male dominance and authority through visual and narrative elements, often reinforcing traditional gender hierarchies.

The female representation follows traditional patterns seen in 1950s advertisements for women, where success is intrinsically linked to male protection or approval. Women are positioned below or behind dominant male figures, lacking weapons and agency. However, there's a subtle nod to female liberation through their protective stance around the male protagonist, though this remains within patriarchal boundaries.

Cultural Context and Ethnic Representation in 1970s Media

The portrayal of race and ethnicity in this period reflects deeply embedded cultural biases, similar to 1950s advertising art style. The casting choices and character representations demonstrate the prevalent Western attitudes toward Eastern cultures during the Cold War era.

The demographic representation follows patterns typical of 1950s ads housewives and subsequent decades, featuring predominantly white actors aged 25-40, portrayed as attractive and successful. The limited representation of diverse ethnicities, particularly in the characterization of Nick Nack and Asian martial artists, reveals the persistent racial stereotyping in mainstream media.

Highlight: The portrayal of BAME (Black, Asian, and Minority Ethnic) characters primarily in antagonistic roles reflects the dominant racist ideology of 1970s Western media, perpetuating harmful stereotypes and underrepresentation.

The age representation aligns with Hollywood's emphasis on youth and vitality, presenting an optimistic view that resonated with contemporary audiences. This approach to casting and character portrayal demonstrates how 1950s advertisements sexist tendencies evolved but remained influential in shaping media representation through subsequent decades.