New Hollywood Freedom: Do the Right Thing
By 1989, Spike Lee had the advantage of making films in the New Hollywood era, where the Hays' Code was long gone and directors had much more creative freedom. Lee wrote, directed, and starred in "Do the Right Thing," tackling racism and social issues that would've been impossible to explore explicitly in Classical Hollywood.
The "No Nasty" scene shows this newfound freedom perfectly. Where Wilder had to hide sexual content through innuendo, Lee could show intimate scenes with close-ups and explicit dialogue. This wasn't just about being provocative - it demonstrated how New Hollywood allowed filmmakers to address real social issues without tiptoeing around censorship.
However, even in this freer era, Lee faced studio interference. Paramount wanted him to tone down Radio Raheem's death scene, worried it might spark real-world violence. When Lee refused to compromise his artistic vision, Paramount pulled their funding completely.
Universal eventually funded the film "only for profit," recognising Lee's status as an auteur who could deliver commercial success whilst maintaining creative control. The film made $27 million worldwide, proving that challenging content could still be profitable.
Fun Fact: Lee specifically constructed Radio Raheem's death to reflect real police brutality cases, showing how New Hollywood directors could directly address contemporary social issues.