Women as Victims and Symbols
The female characters in Othello get a rough deal - and that's putting it mildly. All three women die, which tells you something about how Shakespeare's world viewed female agency and desire.
Desdemona represents the Madonna-Whore complex perfectly. She's simultaneously praised as pure and innocent, yet punished for her sexual desire. Critics describe her as everything from Harold Bloom's "miracle of sincerity" to Carol Phillips' "prize" and "spoil of war." Her tragedy lies in being reduced to a symbol rather than treated as a person.
Emilia emerges as the play's moral centre, according to Jude Kelly. She's the one who finally speaks truth to power, dying "in service of the truth." Meanwhile, post-colonial critics like Ania Loomba argue that "woman and blacks exist together" as oppressed groups in the play's patriarchal world.
Remember this: Karen Newman's insight that Desdemona's "desire is punished because it threatens white male hegemony" explains why the play ends in such brutal violence.