Passionate Love and Obsession
Love's Philosophy is Shelley's clever attempt to chat someone up using nature as his wingman. He argues that since everything in nature comes together - mountains "kiss" heaven, rivers mingle with oceans - she should obviously get with him too. The religious imagery ("law divine") makes his argument seem God-ordained, though ironically Shelley was actually an atheist.
Before You Were Mine flips the typical parent-child relationship as Duffy imagines her mother's glamorous youth before motherhood changed everything. The possessive language ("mine", "my loud possessive yell") shows how children can own their parents' lives. There's a hint of guilt as she realises her birth ended her mother's exciting, independent life.
Singh Song! celebrates young love triumphing over family expectations and business responsibilities. The British-Indian speaker is so smitten with his new wife that he abandons the family shop to spend time with her. The blend of Indian and English in the language reflects his cultural identity, while the playful tone shows love making life more joyful.
Porphyria's Lover takes obsessive love to its darkest extreme. This dramatic monologue reveals a disturbed speaker who strangles his lover to preserve a perfect moment. The shifting power dynamics - first she's dominant, then he takes control - and the speaker's delusions make this a deeply unsettling exploration of possessive love.
Key Point: These poems show love's spectrum from playful persuasion to dangerous obsession, demonstrating how passion can both elevate and destroy.