Comparing "Kamikaze" and "Emigree" reveals how both poems explore identity,...
Analyzing 'Kamikaze' and 'Emigree': High-Scoring Essay Example




Identity and Change in Conflict
Both "Kamikaze" and "Emigree" showcase individuals whose identities are shaped by conflict and societal expectations. In "Kamikaze," we meet a Japanese pilot during World War II who was expected to complete a suicide mission—"a one-way journey into history." His identity has been predetermined, but he ultimately chooses to change his fate.
Similarly, in "Emigree," a female emigrant faces a society that tries to control her identity. When she states "my child's vocabulary may now be a lie, banned by the state," we see evidence of censorship attempting to rewrite who she is. Yet she resists, declaring she "can't get it off my tongue" and that her city "takes me dancing through the city of walls"—with dancing symbolising freedom and defiance.
The historical contexts create powerful backdrops in both poems. "Kamikaze" contains subtle references to WWII, like "little fishing boats strung out like bunting"—where bunting suggests victory celebrations after Japan's defeat. "Emigree" describes a homeland "sick with tyrants" and "at war," possibly referencing Eastern Europe under Soviet communist control during the Cold War.
Think deeper: Notice how both poets never explicitly name the conflicts they reference, instead using imagery and suggestion. Why might they choose this approach rather than being specific?

Memory and Perspective
The power of memory shapes how both characters view their changing worlds. In "Kamikaze," natural imagery triggers the pilot's change of heart. Descriptions of "little fishing boats" create a sense of innocence and remind him of childhood memories—building pebble piles while waiting for his father's boat. The detailed description of "a tuna, the dark prince, muscular and dangerous" carries possible connotations of death, making him reconsider his mission.
In "Emigree," childhood memories serve a different purpose. The speaker acknowledges her memories may be idealised rather than realistic. Her "child's vocabulary" suggests an innocent, perhaps narrow worldview that "tastes of sunlight." The image of a "hollow doll" (possibly referencing Russian nesting dolls) implies these memories might be empty or incomplete.
The speaker in "Emigree" maintains an unwavering positive view despite acknowledging potential threats. She describes her relationship with her city in maternal terms: "I comb its hair and love its shining eyes," suggesting she nurtures these memories like a precious child. This contrasts with "Kamikaze," where nature changes the pilot's perspective dramatically.
Language tip: Both poets use recurring motifs to develop their themes. In "Emigree," "sunlight" appears repeatedly to symbolise hope against darkness, while in "Kamikaze," images of the sea represent both freedom and danger.

Structure and Resolution
The poems' structures reflect their themes in interesting ways. Both use free verse, but to different effects. In "Emigree," flowing enjambment creates a sense of freedom, while in "Kamikaze," the free verse creates a more rigid structure that mirrors military control. "Kamikaze" uses six stanzas to tell the pilot's story, while "Emigree" needs only three stanzas to present the speaker's memories.
The resolution in "Kamikaze" is deeply tragic. When the pilot returns home, rejecting his suicide mission, he loses his identity twice over—first as a pilot, then as a father. His family's reaction is devastating: "my mother never spoke again in his presence" and "this was no longer the father we loved." The final line delivers a powerful conclusion: "He must have wondered what had been the better way to die," suggesting he faces an emotional death perhaps worse than physical sacrifice.
Conversely, the speaker in "Emigree" maintains her identity despite external pressure. Though "they accuse me, they circle me" suggests threat and persecution, she remains steadfast in her positive view of her homeland. She has been "branded with an impression of sunlight"—the word "branded" suggesting her identity is permanent and cannot be erased, regardless of how her country has changed.
Exam tip: When comparing these poems, focus on how both characters respond differently to external pressures trying to shape their identities. The pilot ultimately changes but faces rejection, while the emigree refuses to change her perspective despite acknowledging reality.
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Analyzing 'Kamikaze' and 'Emigree': High-Scoring Essay Example
Comparing "Kamikaze" and "Emigree" reveals how both poems explore identity, change, and resistance to societal expectations during times of conflict. These poems present characters who face difficult choices about who they are against the backdrop of war and political upheaval.

Identity and Change in Conflict
Both "Kamikaze" and "Emigree" showcase individuals whose identities are shaped by conflict and societal expectations. In "Kamikaze," we meet a Japanese pilot during World War II who was expected to complete a suicide mission—"a one-way journey into history." His identity has been predetermined, but he ultimately chooses to change his fate.
Similarly, in "Emigree," a female emigrant faces a society that tries to control her identity. When she states "my child's vocabulary may now be a lie, banned by the state," we see evidence of censorship attempting to rewrite who she is. Yet she resists, declaring she "can't get it off my tongue" and that her city "takes me dancing through the city of walls"—with dancing symbolising freedom and defiance.
The historical contexts create powerful backdrops in both poems. "Kamikaze" contains subtle references to WWII, like "little fishing boats strung out like bunting"—where bunting suggests victory celebrations after Japan's defeat. "Emigree" describes a homeland "sick with tyrants" and "at war," possibly referencing Eastern Europe under Soviet communist control during the Cold War.
Think deeper: Notice how both poets never explicitly name the conflicts they reference, instead using imagery and suggestion. Why might they choose this approach rather than being specific?

Memory and Perspective
The power of memory shapes how both characters view their changing worlds. In "Kamikaze," natural imagery triggers the pilot's change of heart. Descriptions of "little fishing boats" create a sense of innocence and remind him of childhood memories—building pebble piles while waiting for his father's boat. The detailed description of "a tuna, the dark prince, muscular and dangerous" carries possible connotations of death, making him reconsider his mission.
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The speaker in "Emigree" maintains an unwavering positive view despite acknowledging potential threats. She describes her relationship with her city in maternal terms: "I comb its hair and love its shining eyes," suggesting she nurtures these memories like a precious child. This contrasts with "Kamikaze," where nature changes the pilot's perspective dramatically.
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Structure and Resolution
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The resolution in "Kamikaze" is deeply tragic. When the pilot returns home, rejecting his suicide mission, he loses his identity twice over—first as a pilot, then as a father. His family's reaction is devastating: "my mother never spoke again in his presence" and "this was no longer the father we loved." The final line delivers a powerful conclusion: "He must have wondered what had been the better way to die," suggesting he faces an emotional death perhaps worse than physical sacrifice.
Conversely, the speaker in "Emigree" maintains her identity despite external pressure. Though "they accuse me, they circle me" suggests threat and persecution, she remains steadfast in her positive view of her homeland. She has been "branded with an impression of sunlight"—the word "branded" suggesting her identity is permanent and cannot be erased, regardless of how her country has changed.
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