Ever wondered how Margaret Atwood creates such memorable characters in ...
Insights into Handmaid's Tale Characters





Aunt Lydia: The Manipulative "Protector"
Don't be fooled by Aunt Lydia's maternal facade - she's one of Gilead's most effective weapons of control. She genuinely believes she's protecting the handmaids by teaching them to accept their fate, making her particularly dangerous because her manipulation feels caring.
Her quotes reveal everything: "yours is a position of honour" and "ordinary is what you're used to" show how she normalises oppression. She's constantly reframing horrific situations as privileges or natural states. Notice how she uses diminutive language like "spoiled girls" and "rebuking kittens" to infantilise the women.
What makes Aunt Lydia so chilling is her religious manipulation. She twists Biblical teachings to justify Gilead's system, creating a warped maternal authority that the handmaids struggle to resist. She represents how oppressive systems often use familiar, comforting figures to enforce compliance.
Key insight: Aunt Lydia shows how totalitarian regimes use "caring" authority figures to make oppression feel protective rather than punitive.

Serena Joy: The Hypocritical Wife & Moira: The Defiant Rebel
Serena Joy embodies the contradictions of Gilead's privileged women. Despite her high status as the Commander's wife, she's deeply unhappy and resentful. Her "diamond studded hands" symbolise her wealth, but she's described as a "defeated woman" - showing that even Gilead's beneficiaries suffer under its restrictions.
Her hypocrisy shines through her willingness to break rules when it suits her, using blackmail and manipulation to maintain control. The clinical language around the ceremony - "this is like a business transaction" - reveals how Gilead reduces human relationships to mere functions.
Moira provides a stark contrast as Offred's rebellious best friend. She actively defies Gilead by escaping the Red Centre and maintaining her independence. Her casual, modern language - "got any cigs?" - represents the freedom that Gilead has destroyed.
Character contrast: Moira's bruised face and eventual capture at Jezebels proves that even the strongest rebels can't fully escape totalitarian control.

The Commander: Patriarch and Hypocrite
The Commander sits at the top of Gilead's hierarchy, yet Atwood presents him as surprisingly ordinary and even pathetic. His power comes from his position rather than any inherent strength - he "manages to appear puzzled, as if we are something he inherited."
What's most revealing is how he treats Offred like a performing pet: "show precocity, like an attentive pet, prick-eared and eager to perform." This dehumanising language shows how men in Gilead view women as entertainment rather than equals. His secret games with Offred reveal his hypocrisy - he breaks his own society's rules for personal pleasure.
The description of him as an "old shoemaker in an old fairytale book" makes him seem almost harmless, but remember - he's one of Gilead's founders. Atwood shows how ordinary, unremarkable men can create and maintain systems of oppression while appearing benevolent.
Power dynamic: The Commander's need for Offred's attention reveals that even dictators crave genuine human connection, making them paradoxically vulnerable.

Nick: The Equalising Force
Nick represents something rare in Gilead - genuine equality and mutual attraction. Unlike the other male characters, he shares Offred's low status, making their relationship feel more balanced than her interactions with the Commander.
His flirtatious behaviour - the whistling and winking - brings moments of normalcy and rebellion into Offred's restricted world. The fact that "he hasn't been issued a woman" shows he's also a victim of Gilead's system, creating common ground with Offred.
The ambiguity around Nick keeps readers guessing. Is he genuinely caring or potentially an Eye (spy)? This uncertainty reflects the paranoia that totalitarian states create - you can never be completely sure who to trust, even when forming genuine connections.
Relationship dynamics: Nick and Offred's affair represents hope and human connection, but also demonstrates the dangerous risks people take to maintain their humanity under oppression.
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Don't be fooled by Aunt Lydia's maternal facade - she's one of Gilead's most effective weapons of control. She genuinely believes she's protecting the handmaids by teaching them to accept their fate, making her particularly dangerous because her manipulation feels caring.
Her quotes reveal everything: "yours is a position of honour" and "ordinary is what you're used to" show how she normalises oppression. She's constantly reframing horrific situations as privileges or natural states. Notice how she uses diminutive language like "spoiled girls" and "rebuking kittens" to infantilise the women.
What makes Aunt Lydia so chilling is her religious manipulation. She twists Biblical teachings to justify Gilead's system, creating a warped maternal authority that the handmaids struggle to resist. She represents how oppressive systems often use familiar, comforting figures to enforce compliance.
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Serena Joy: The Hypocritical Wife & Moira: The Defiant Rebel
Serena Joy embodies the contradictions of Gilead's privileged women. Despite her high status as the Commander's wife, she's deeply unhappy and resentful. Her "diamond studded hands" symbolise her wealth, but she's described as a "defeated woman" - showing that even Gilead's beneficiaries suffer under its restrictions.
Her hypocrisy shines through her willingness to break rules when it suits her, using blackmail and manipulation to maintain control. The clinical language around the ceremony - "this is like a business transaction" - reveals how Gilead reduces human relationships to mere functions.
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The Commander: Patriarch and Hypocrite
The Commander sits at the top of Gilead's hierarchy, yet Atwood presents him as surprisingly ordinary and even pathetic. His power comes from his position rather than any inherent strength - he "manages to appear puzzled, as if we are something he inherited."
What's most revealing is how he treats Offred like a performing pet: "show precocity, like an attentive pet, prick-eared and eager to perform." This dehumanising language shows how men in Gilead view women as entertainment rather than equals. His secret games with Offred reveal his hypocrisy - he breaks his own society's rules for personal pleasure.
The description of him as an "old shoemaker in an old fairytale book" makes him seem almost harmless, but remember - he's one of Gilead's founders. Atwood shows how ordinary, unremarkable men can create and maintain systems of oppression while appearing benevolent.
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