Power in Macbeth: Divine Right vs. Manipulation
Shakespeare explores the concept of power in Macbeth through two contrasting sources: the Divine Right of Kings and manipulative deceit. This dichotomy serves to appease King James I, from whom Shakespeare sought funding for his plays.
The essay begins by examining how power is initially presented as a positive force through Duncan's character. Shakespeare portrays Duncan's power as divinely sanctioned, using religious imagery and metaphors.
Quote: "his virtues will plead like angels/trumpet tongued against the deep damnation of his taking off."
This portrayal of Duncan as a virtuous king aligns with the concept of the Divine Right of Kings, a notion that would have resonated with King James I.
Highlight: The use of religious language and symbolism emphasizes Duncan's power as derived from God, reinforcing the idea of legitimate authority.
In contrast, Lady Macbeth's power is presented as stemming from manipulation and a violation of natural order. Her attempts to control Macbeth and her desire to "unsex" herself are portrayed as grotesque and unnatural.
Example: Lady Macbeth's command to spirits to "unsex me here" and "stop up th'access" demonstrates her willingness to defy natural order for power.
The essay argues that Shakespeare uses this contrast to show the consequences of illegitimate power acquisition, appealing to King James I's own writings on the Great Chain of Being.
