Richard and Lou: The Followers

Richard starts off as someone who challenges authority through sarcastic put-downs and childish behaviour, but he's actually desperate for acceptance. His language reveals everything - he uses phrases like "that is the most stupid..." to try and assert dominance, but ultimately he's just another follower who craves Phil's attention.

Lou represents the dangerous power of blind loyalty. Her simple, childlike speech patterns show her vulnerability, but she's willing to accept even the most obvious lies. When she insists "he saw him in the woods" despite knowing it's false, we see how group pressure can make people abandon their own judgment.

Both characters highlight how bullying and gang mentality can turn ordinary people into accomplices. Richard's jealousy over friendships ("I hate him!") and Lou's unquestioning obedience show different ways people lose themselves in toxic group dynamics.

Key Point: Richard and Lou demonstrate how even those who seem independent or innocent can become trapped by the need to belong, making them complicit in terrible acts.

John Tate: The Violent Leader

John Tate rules through fear and intimidation, using phrases like "I'm gonna hurt you, actually" to maintain control. His rhetorical questions about past behaviour force others to listen, whilst his ban on certain words shows his desperate need to control every aspect of the group.

His animalistic behaviour becomes obvious when he threatens violence but struggles to articulate it properly. The stage directions showing him invading personal space through proxemics reveal how physical intimidation replaces actual leadership skills.

John's later turn to religion suggests either genuine remorse or complete desperation. Richard's description of John trying to convert others shows how some people seek redemption, though it might just be another form of control.

The fact that John disappears after Act 1 demonstrates how violent leadership ultimately fails. When real problems arise, he can't cope without aggression and has to hand power to Phil.

Key Point: John's leadership style based on violence and fear ultimately proves unsustainable when the group faces a genuine crisis.

Phil: The Cold Calculator

Phil's constant eating isn't just a quirky habit - it's strategic. Whilst others panic, he observes and calculates, using meal times to watch without being watched. This black comedy element makes his cold nature even more disturbing.

His detailed planning of both the cover-up and Adam's real murder shows terrifying intelligence misused. Phil's ability to describe a fictional flasher in precise detail ("5'4" say, with thinning hair") suggests he's done this before.

Phil's controlling relationship with Leah breaks down because even she can't stomach his complete lack of empathy. His question "what's more important, one person or everyone?" reveals his utilitarian mindset that treats people as expendable.

The proxemics Phil uses - placing hands on shoulders, invading personal space - mirror John's tactics but with cold calculation rather than hot anger. This makes Phil arguably more dangerous than the obviously violent John.

Key Point: Phil represents the most dangerous type of leader - one who combines intelligence with complete moral emptiness, making calculated decisions about life and death.

Danny: The Aspiring Escapist

Danny's aspirational nature sets him apart from the others - his repeated mentions of becoming a dentist show someone with actual plans beyond the group. His panic about A-levels being "part of the plan" whilst "dead people are not" creates dark humour in a horrific situation.

His questioning approach ("How can you ban a word?") shows he's the voice of reason the audience identifies with, but his weakness lies in not acting on his moral instincts. Danny hedges his concerns rather than taking a firm stand.

Reputation matters more to Danny than morality - his worry about getting references for dental college reveals someone caught between self-interest and doing the right thing. This internal conflict makes him relatable but also frustrating.

Danny's absence from later acts suggests he either walked away in disgust or was excluded for being untrustworthy. His later hatred of dentistry, triggered by traumatic associations with "falling through" mouths, shows how the experience destroyed even his future plans.

Key Point: Danny represents missed opportunities - someone with the intelligence and moral sense to stop the spiral but lacking the courage to act decisively.

Leah: The Philosophical Voice

Leah's monologues tackle the big questions about humanity and morality that others avoid. Her comparison between chimps and bonobos - "chimps are evil" versus bonobos having "empathy" - serves as a metaphor for the group's choices.

Her dramatic threats to leave or harm herself show someone struggling with genuine moral distress. Unlike the others, Leah actually feels the weight of what's happening, making her both the most human and most vulnerable character.

Leah's language features - self-interruptions, stutters, unfinished sentences - reflect her internal struggle. She's trying to process impossible moral choices whilst maintaining her relationship with Phil.

Her final silence speaks louder than any monologue. When Leah stops talking, it represents the complete breakdown of hope and morality within the group. The character who questioned everything finally has nothing left to say.

Key Point: Leah functions as the moral conscience of the play, and her ultimate silence represents the death of empathy and humanity within the group.

Cathy: The Violence Inheritor

Cathy transforms from minor troublemaker to violent leader, showing how gang culture perpetuates itself. Her enjoyment of the "drama" and celebrity status from Adam's death reveals someone who finds ordinary life boring.

Her initiative in planting DNA evidence and finding someone to frame shows dangerous intelligence combined with complete moral vacancy. Cathy doesn't just follow orders - she actively makes the situation worse whilst convincing herself she's being helpful.

The declarative statements like "I used violence" show pride rather than shame. Her detailed descriptions of threatening to "gouge someone's eye out" foreshadow her eventual leadership role built on intimidation.

Richard's later reports about Cathy cutting off a first year's finger prove that violence breeds more violence. She hasn't learned from the group's mistakes but instead escalated them, showing how toxic leadership styles get passed down.

Key Point: Cathy demonstrates how exposure to violence and power can corrupt even peripheral group members, creating the next generation of dangerous leaders.

Mark and Jan: The Chorus of Denial

Mark and Jan function as a chorus, describing off-stage events and creating mystery for the audience. Their overlapping dialogue and repetition of phrases like "dead, dead" shows them trying to process impossible information.

Their collective responsibility for Adam's initial "death" gets minimised through language - calling it "having a laugh" and using "we" to diffuse individual guilt. They twist the truth by claiming "Adam was laughing harder than anyone" despite him being "terrified."

The juxtaposition in phrases like "not living dead" and their casual punctuation reflects natural speech patterns but also reveals their moral confusion. They genuinely can't understand the severity of their actions.

Their later shoplifting despite Mark supposedly doing charity work shows how the experience corrupted rather than reformed them. They remain morally compromised, unable to take genuine responsibility for their role in the tragedy.

Key Point: Mark and Jan represent how people can be directly involved in terrible events whilst convincing themselves they're just bystanders.

Brian: The Broken Victim

Brian's constant crying symbolises his complete inability to cope with the group's demands. Like Adam, he's a victim of bullying, but unlike Adam, he can't escape and becomes trapped in their web of lies.

His mental breakdown progresses throughout the play, from normal fear to childlike regression to complete psychological collapse. The synaesthetic confusion in "can you feel the day licking our skin?" shows his grip on reality failing.

Brian's moral voice early on - "I think we should tell someone" - represents the path not taken. His inability to maintain this stance shows how peer pressure can overwhelm even strong moral instincts.

The final reports of Brian on "stronger and stronger medication" and "staring at a wall and drooling" reveal the ultimate cost of being unable to escape guilt. Unlike others who compartmentalise or justify, Brian's conscience destroys him.

Key Point: Brian represents the psychological cost of complicity - someone whose moral sensitivity makes survival within the group impossible, leading to complete mental breakdown.

Adam: The Ultimate Victim

Adam's physical appearance when he returns - matted hair with dried blood, torn clothes - provides stark evidence of the group's violence. His confused speech patterns and jumbled tenses show the psychological damage from his trauma.

His primitive regression - catching and eating rabbits - suggests someone forced back to survival mode. The positive language about seeing "light" contrasts sharply with his obvious physical and mental damage, showing how trauma affects perception.

Adam's question about why he doesn't return after escaping the grille reveals someone who no longer understands normal human behaviour. His psychological damage runs so deep he can't conceive of seeking help or safety.

Leah's protection of Adam - "He's not happy, he's mad" - represents the last flicker of humanity in the group. Her attempts to make Phil feel empathy fail completely, showing how far the group has fallen from basic human decency.

Key Point: Adam's return serves as the ultimate moral test for the group, and their decision to murder him rather than help him reveals their complete moral collapse.