Feminist and Ecocritical Perspectives on Othello
Penelope Freedman's 2004 analysis introduces nuanced feminist readings of Shakespeare, highlighting several key approaches:
- Freeing female characters from stereotypes
- Examining relationships between women
- Reassessing marginal characters
- Exploring male anxiety and performative masculinity
Highlight: Freedman emphasizes how successful feminist criticism illuminates both Shakespeare's men and women, examining cultural constructs of gender roles.
Strickler's ecocritical perspective links gender and race in Othello to concepts of "the Wild":
Quote: "Simon Estok emphasizes 'the natural as a social force, emphasizing the construction of the female body'"
This view correlates women's bodies with animals and extends to racial attitudes, juxtaposing images of women and blacks with animals.
Example: In Othello, vulgar sexual imagery often uses animal descriptions, linking to Iago's garden metaphor in Act 1, Scene 3.
The analysis also explores:
- The relationship between Emilia and Desdemona
- Desdemona's dominance in Cyprus (Act 2, Scene 1)
- Iago's goading of Othello regarding masculinity
Vocabulary: Ecocriticism - A critical approach examining the relationship between literature and the natural environment.