Keats and Romantic Deception
John Keats' "La Belle Dame sans Merci" explores deception in romantic relationships through the lens of supernatural seduction. The poem's dream-like quality mirrors how desire can distort reality and lead to self-deception.
The femme fatale figure appears to have power over the male speaker, but a feminist reading suggests she's actually reclaiming agency in a world where "pale kings, princes, warriors" typically hold all the control. The biblical and natural imagery ("manna dew", "garland", "roses") creates an Eden-like setting that makes the deception feel both beautiful and dangerous.
Sexual innuendo throughout the poem ("made sweet moan") reveals how physical desire drives the speaker's willingness to be deceived. Like Gatsby's idealisation of Daisy, the speaker projects his fantasies onto a figure who remains ultimately unknowable.
The poem connects to both other texts by showing how deception in love often reflects broader power imbalances in society. Whether it's Gatsby's class aspirations, Myrtle's economic desperation, or the speaker's romantic fantasies, all characters deceive themselves about what they can realistically achieve.
Final thought: All three writers suggest that deception in love isn't just personal weaknessโit's often the only way characters can survive in societies that offer them limited genuine choices.