Page 2: Narrative Structure and Symbolism
Page 2 delves deeper into the poem's structure and literary devices, particularly focusing on the narrative perspective and symbolism. The Kamikaze poem dramatic monologue exploration reveals the complexity of the storytelling technique employed by Garland.
The poem's structure is analyzed as a dramatic monologue, which begins abruptly to engage the reader immediately. The narrative voice shifts from third-person to first-person, reflecting the daughter's growing understanding of her father's experience.
Definition: Dramatic monologue - a type of poem in which a character speaks to a silent listener, revealing their thoughts and feelings.
The shift in narration is identified as a crucial element:
Highlight: The change from third-person to first-person narration acts as the volta (turning point) in the poem, signifying a dramatic shift from external to internal perspective.
This page also introduces important literary terms and concepts:
Vocabulary: Euphemism - a mild or indirect word or expression substituted for one considered to be too harsh or blunt when referring to something unpleasant or embarrassing.
The title "Kamikaze" is explored for its implications:
Definition: Kamikaze - Japanese suicide pilots during World War II; also implies sudden violence, particularly in strategic military operations.
The first stanza is analyzed in detail, highlighting the symbolic language used:
Example: "sunrise" and "embarked" create an impression of adventure and hope, while also referencing Japan as "the land of the rising sun."
The poem's use of contrasting imagery continues to be emphasized:
Quote: "with a flask of water, a samurai sword in the cockpit, a shaven head full of powerful incantations"
This juxtaposition of life-affirming and death-related symbols underscores the pilot's internal conflict and the complex nature of his mission.