Gender Roles and Social Class in A Streetcar Named Desire

Tennessee Williams' "A Streetcar Named Desire" provides a nuanced exploration of gender roles and social class dynamics in mid-20th century America. The play contrasts traditional Southern values with the emerging working-class ethos, embodied by the characters of Blanche DuBois and Stanley Kowalski respectively.

Quote: Stella thinks that Blanche is too snobbish, saying "don't you think your superior attitude is a bit out of place?" (Scene 4)

Blanche, despite her "shady past," clings to outdated notions of chivalry and expects men to treat her with old-fashioned courtesy. This expectation clashes with Stanley's more brutish and direct approach to gender relations. Stanley's behavior, such as slapping Stella's thigh in front of other men, exemplifies the sexist attitudes prevalent in the era.

Highlight: Stanley rejects the idea that women should be treated with respect, representing a stark contrast to Blanche's expectations of gentlemanly behavior.

The play also delves into the complexities of social class. Blanche and Stella come from a once-wealthy plantation-owning family, representing the fading Southern aristocracy. Stella, however, has embraced a lower social status through her marriage to Stanley, a working-class man.

Example: Stanley's assertion that even if he doesn't know about something - such as jewelry - he knows someone who does, illustrates the resourcefulness and networking of the working class.

The character of Mitch serves as a bridge between these two worlds. Initially, he is willing to treat Blanche with the courtesy she demands, adhering to more traditional notions of courtship. However, upon learning about her past, he adopts a more cynical view, believing she no longer deserves such respect.