Sonnet 29: Structure and Imagery

Sonnet 29, "I think of thee," follows a traditional sonnet structure but infuses it with rich, evocative imagery drawn from nature. The poem begins with the speaker's thoughts entwining around the beloved like vines around a tree, creating a powerful visual metaphor for the all-consuming nature of love.

Vocabulary: Twine - to wind or coil around; Bud - to begin to grow or develop

The use of plant imagery continues throughout the sonnet, with the speaker comparing her beloved to a palm tree. This choice of imagery is significant for several reasons:

1. It evokes exoticism and unfamiliarity, suggesting a new type of love.
2. Palm trees are associated with victory in Roman symbolism, implying their love is triumphant.
3. In biblical contexts, particularly the Song of Solomon, palm imagery is linked to physical love.

Example: The line "O my palm-tree" serves multiple symbolic purposes, representing life in a barren landscape (their love amidst loneliness), faith and belief, and the exotic nature of their relationship.

The poem's structure supports its thematic development, moving from the initial imagery of entwining thoughts to the final lines where the speaker is too close to even think of the beloved, overwhelmed by their presence.

Definition: Enjambment - the continuation of a sentence or phrase from one line of poetry to the next without a pause

The use of enjambment throughout the sonnet creates a sense of flowing, uncontained emotion, mirroring the speaker's overwhelming feelings.

Analysis of Sonnet 29: Love's Transformative Power

The final third of Sonnet 29 by Elizabeth Barrett Browning showcases the transformative power of love and physical presence. The poem shifts from the initial longing and imagination to the reality of being with the beloved.

Quote: "I will not have my thoughts instead of thee / Who art dearer, better!"

This declaration emphasizes the superiority of actual presence over mere thoughts or fantasies. The speaker demands renewal of the beloved's presence, using strong, active language:

• "Renew thy presence"
• "Rustle thy boughs"
• "Set thy trunk all bare"

These commands create a sense of urgency and desire for unmediated connection.

Highlight: The poem's conclusion, "I do not think of thee - I am too near thee," paradoxically expresses the ultimate closeness by the inability to think about the beloved.

This final line encapsulates the poem's journey from distant longing to immediate presence. It suggests that true intimacy transcends thought, becoming a state of being.

The sonnet's structure and imagery work together to convey the overwhelming nature of love:

• The extended tree metaphor evolves throughout the poem.
• The shift from "wild vines" to a "palm-tree" suggests the growth and maturation of love.
• The final image of "bands of greenery" dropping away implies the stripping away of barriers between lovers.

Vocabulary: Insphere - to enclose or contain within or as if within a sphere

This rich imagery and emotional progression make Sonnet 29 a quintessential example of Romantic movement love poetry in the Victorian era, blending passionate feeling with structured poetic form.