Page 1: Introduction and Context
My Last Duchess, created by Harry Westworth, provides a comprehensive analysis of Robert Browning's renowned poem. Written in 1845 but set in the 16th century, the poem presents a chilling narrative of male power and dominance through the voice of the Duke of Ferrara.
The poem's context is rooted in historical reality, based on Alfonso II, Duke of Modena and Ferrara in Italy. This connection to a real historical figure adds depth to the poem's exploration of power dynamics in Renaissance Italy.
Browning employs several structural techniques to enhance the poem's impact:
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Dramatic Monologue: This technique creates an immediate and unsettling connection between the reader and the Duke's disturbing narrative.
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Iambic Pentameter: Traditionally used in Shakespearean plays to denote high status, Browning uses this meter to highlight the Duke's obsession with reputation and social standing.
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First-Person Narrative: This contributes to the conversational style, suggesting the Duke's belief in the normalcy of his actions.
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Single Voice: The Duke's monopoly on the narrative underscores his controlling nature.
The poem explores key concepts that resonate with readers:
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Oppression of Women: It highlights the objectification and subjugation of women in 16th-century society.
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Arrogance, Pride, and Power: The Duke is characterized as entitled and obsessed with control, particularly over his wife's life.
Highlight: The poem's structural choices, particularly the use of dramatic monologue and iambic pentameter, serve to emphasize the Duke's character and the themes of power and control.
Definition: Dramatic monologue is a type of poetry written in the form of a speech of an individual character, allowing the reader to peer into the mind of the speaker.
Example: The Duke's control over the narrative, being the only voice heard, mirrors his desire for control in his relationships and social standing.
